WUTHERING HEIGHTS
| Project Title | Wuthering Heights |
| Release Date | 13 February 2026 |
| Role | Additional Music Editor |
| Director | Emerald Fennell |
| Original Songs by | Charli XCX |
| Composer | Anthony Willis |
| Producers | Emerald Fennell, Margot Robbie, Josey McNamara |
| Studios | Warner Bros., MRC & LuckyChap Entertainment |
| Starring | Margot Robbie, Jacob Elordi, Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, Owen Cooper, Charlotte Mellington |
| Production website | www.warnerbros.com |
| IMDb | www.imdb.com/title/tt32897959 |
“Wuthering Heights, the writer-director Emerald Fennell’s new adaptation of Emily Brontë’s groundbreaking Gothic novel, is her best film to date. […] The gleeful visuals and sounds, however, are what really propel the movie along.” The Atlantic
Janet joined Wuthering Heights at the outset of post-production to oversee score conception. She collaborated closely with BAFTA-nominated composer Anthony Willis, crafting a temp score that incorporated his compositions, material from Charli XCX, and additional third-party music — while ensuring a cohesive blend across all genres for a seamless listening experience.
Written and directed by Academy and BAFTA Award winner Emerald Fennell, this adaptation of Emily Brontë’s novel of the same name, starring Academy and BAFTA Award nominees Margot Robbie and Jacob Elordi, dives into what is often called “the greatest love story of all time”— a story in which love is an all-encompassing obsession that destroys anything in its path. Produced by Emerald Fennell, Margot Robbie, and Academy Award-nominated and BAFTA Award-winning Josey McNamara.
“Atonal, disruptive, industrial: despite all this, Wuthering Heights isn’t an album likely to alienate Charli’s existing fanbase, who in fairness have already reacted to House’s aural challenges by streaming it 10m times and meme-ing the living daylights out of its horror movie-worthy chorus. The songwriting is uniformly fantastic – she clearly doesn’t view pushing at the boundaries of what she does as any reason to abandon her pop smarts – and furthermore, it works as an album completely independent from the film it’s intended to accompany.” The Guardian
